Goth Old, Goth New

The display about the foundational Goth club, the Batcave, at the Museum of Youth Culture in Soho, is only open for a few days. Madame Morbidfrog and others were there for the private view during the week, but I could only get along today with Ms Mauritia after celebrating Mass for the Annunciation this morning - a case of from blue to black. Lots of monochrome photos of young people in the particular style of that moment (spiky hair, studded collars and fishnets all derived from punk), posters and flyers covered a wall, introduced by a very helpful big map showing the Batcave's various venues during the years of its existence. There was also a little display case of objects, again mainly paper, but also including a club t-shirt and what looked like a teddy bear in a gimp suit: without a caption its significance was unclear. Between the map and the display were a set of information captions which for inaccessibility in size or type rivalled any I have seen in my career in or out of museums. We eventually realised, from the page numbers, that they were taken from a book. Now, I would have been prepared to pay and even pay through the nose for a nice glossy history of the Batcave, but it turned out that the book accompanied a compendium of music which amounted to a do-it-yourself guide to '80s Goth, and even if it has a few unfamiliar gems in it I could live without that. The show, essentially, was promotion for the product. We were not delayed long, therefore, and set off in search of free art galleries and afternoon tea.

Tea gave us a chance to complain about the current domination of the Goth world by nostalgia, or at least the sense of retrospect. I know it's a bit rich for me to moan about this as I've been banging on about its history for ages, but nobody now seems to produce anything else. As real Goth clubs go under, we celebrate one of the places where it all started; as fewer Goths seem to appear in public, we analyse where those that remain have come from. There are two major books coming up in a month or two examining the history of Gothic, John Robb's The Art of Darkness and Cathi Unsworth's The Season of the Witch - I wonder how they will each justify their space in an increasingly crowded field? The bands our friends occasionally rave about, even when they're newcomers, don't seem to bring anything very fresh to the table. On LiberFaciorum at the moment I seem to be bombarded with adverts for Goth-friendly clothing retailers - Disturbia, EMP, Killstar - and under the televisual influence of Wednesday Addams big white collars in various styles seem to be in for women, but, most of the fashion seems to be, in Ms Mauritia's words,  'Goth as Shein imagines it'. (Mind you, Stylesock seems to be doing interesting things, not all of them Gothic by any means, if you're a young person with enough money to spend on them, even with much-neglected men's clothing, which most of the time boils down to t-shirts and little else). Ah, age does terrible things to us, friends, and not even just physically.