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Had I done so, I would have found Polly Harvey in a similar reflective state. Uh Huh Her is the end of one phase of her musical journey and the beginning of another, mirroring what was going on in her life more generally. It gathers up some of her most characteristic themes and ideas and then points on towards something new. To complement the valedictory air she decorated the sleeve with a selection of self-portrait photos taken over many years, documenting the masks and guises she’d worn in her career to that point. Once the accompanying tour was done, hitting 35, she would put her rock-chick persona back in the dressing-up box and would never bring her out again, fashioning something very different in her place.
Uh Huh Her is another recording I’ve come to reassess relatively recently. Then, it definitely felt as though PJ was marking time, and I didn’t put in the work the album required to appreciate what was happening. It’s too disparate to make the same immediate impact as some of its predecessors, wonderful though some of its tracks are. And, anyway, I was being plunged into a new world myself, and too busy mentally to spare Ms Harvey’s progress a lot of thought.
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