Sunday, 30 October 2022

Wotton Church

St John's Wotton is a church I tried to get into umpteen times before finally begging one of the churchwardens to let me in some while ago. It isn't a church that's been very affected by the Catholic Movement, and its best feature is the bleak and rather strange Evelyn Chapel which you are very much not allowed to photograph, but it has a wonky sanctuary lamp and a nice, elaborate reredos flanked by curtains on rods.

Meanwhile the mid-Victorian pews have these little folding shelves, which I was told might have been to rest top hats on. They only feature on one side of the church, so there may be something to this story, and they indicate the chaps' side.

Friday, 28 October 2022

Major Considerations

The Vicar of Tophill and the priest-in-charge of Hornington described for the meeting’s benefit the process of establishing the new ‘minster’ parish that will cover them both. When we last mentioned this here, some of my readers expressed a degree of scepticism over whether the term ‘Minster’ was really applicable to Hornington church which is a sprawling and very badly organised parish church rather than anything grander. His Grace of Tophill stated that ‘minsters’ were often former monastic churches and Hornington qualified partly due to once being a Benedictine monastery. I don’t know where he got that from: it may be scrambled from the fact that there was indeed an Anglo-Saxon ‘minster’ there, but those were not always monastic and not always very big either. He outlined the current requirements for a church to be designated as a minster. The trouble with this is that what he’s talking about is not actually ‘minster status’ but ‘major church status’, something which I think has existed since about 2020. This seems to have developed from, and is still tangled up with, the notion of a ‘Greater Church’ which is about thirty years older.

In 1991 a group of big and historic churches, often former monastic ones, which were of a near-cathedral size (and in many cases bigger than small cathedrals like Carlisle and Oxford), but lacked the recognition and resources available to cathedrals, set up the Greater Churches Network to swap ideas about fundraising, marketing and management. There were more in some areas than others: Dorset had three (Sherborne Abbey, Christchurch Priory and Wimborne Minster), but Surrey, none at all. The GCN trundled on for a couple of decades and then in 2016 the Church of England issued a report discussing the idea of the ‘Major Church’. To be designated ‘Major’, a church had to fulfil several criteria: it had to be more than 1000 square metres in size, be Grade 1 or 2* listed, to have exceptional historical significance, and a role beyond that of an ordinary parish church. When the GCN dissolved itself in 2019, it had 55 members; the 2019 report had already identified 300 ‘major churches’. Not all were as big as the former ‘Greater Churches’; not all were even very old, as the number included Fr Gresham Kirby’s modernist gem St Paul’s Bow Common. It’s this designation which Hornington is being proposed for, rather than the courtesy title of ‘Minster’ which doesn’t really mean anything and which certainly carries no legal status whatever; you’d have to be very imaginative indeed to describe St Paul’s Bow Common as a ‘minster’. As I mentioned, the GCN is no more, and is now the Major Churches Network, and designated Major Churches can apply to join it (though its membership is still only 65).

It seems clear that Major Churches are just one element of a Church in a state of flux. It might be that they could indeed develop into being something like the Anglo-Saxon minsters, centres for Christian activity locally, with dependent daughter churches or communities, and organising and galvanising bodies for mission; but that’s not what they are yet. They would need to work out the boundaries between that kind of activity and the strategic role deaneries are supposed to be developing, and what happens to those churches who find themselves in the region of a Major Church with which they are out of sympathy ecclesiologically? That’s likely to be the case with Swanvale Halt and Greater Hornington. It only makes the £300K the Diocese is giving to the putative new ‘minster’ for additional staff grate all the more. If there’s that kind of money to be given away, I could make use of some!

Wednesday, 26 October 2022

Stretching Credulity

Here's another in our occasional series 'Media Misrepresentations of Clergy and Churchy Stuff' and given the last post it's a coincidence that it comes courtesy of a TV drama scripted by former Dr Who  showrunner Steven Moffat and starring David Tennant, having a break in between stints portraying the good Doctor themselves. Not having a TV licence I have no option of watching Inside Man as broadcast, and judging by the reviews I am not much inclined to seek it out. The story begins as parish priest Harry Watling agrees to look after a memory stick from a parishioner who wants to hide it from their mother. His son's tutor ends up looking at it, finds it contains child porn, the vicar's son claims it's his without knowing what's on it, and his father knocks the tutor over the head and locks her in his cellar while he works out what to do next. Needless to say, this is not a wise move. What's more, he does this not to protect his son, but the parishioner who gives him the USB stick because he claims he has a duty of care to a vulnerable person. Several reviewers have pointed out how weird and unrealistic the whole show is. I will merely observe that Rev Watling has somehow managed to avoid the umpteen and endless safeguarding courses that all the rest of us have had to go on over recent years which lay out in pitiless detail what we are supposed to do whenever anything remotely like this comes our way. The procedure is roughly:

1. Break out in a cold sweat

2. If you are in a safe place, such as your parsonage, run around screaming

3. Call the Diocesan Safeguarding Department and gabble an incoherent explanation

4. Do what they tell you

5. DON'T DO ANYTHING ELSE LIKE LOCKING PEOPLE IN YOUR CELLAR

That this drama has come out at the same time as the Church of England's Past Cases Review is especially ironic, as it's clearly written by someone who doesn't know how we now all have safeguarding processes positively riveted into our heads by those responsible. Perhaps Mr Moffatt should have conversed with his fellow Dr Who writer Paul Cornell, who's married to the Vicar of Fairford. Nothing like having a clerical consultant on hand.

Monday, 24 October 2022

The Manner of Our Departure


It was a beautiful, elegaic moment as Jodie Whittaker’s 13th Doctor regenerated yesterday evening into – well, if you don’t mind spoilers, an earlier version of herself. And every Dorset native will have been squee-ing to see where she chose to watch ‘one last sunrise’ – the unmistakable outline of Durdle Door on the Purbeck coast. My first thought was how lovely it was, and my second how aghast the Dorset emergency services would be at the prospect of viewers thinking it might be fun to try and recreate the moment. Sure enough, the Lulworth Estate which owns Durdle Door has denounced the BBC’s ‘duplicity’ (now that’s a strong word) in not telling it what the request to film at the limestone arch would actually produce. There’s no safe way along the top of the headland and people have been badly injured diving off it. Unless you actually have access to a TARDIS, it’s best admired from a distance.

‘It’s such a shame you can’t pick the date, time, place and manner of departure, isn’t it? Well, you can in some sense, but that’s obviously more likely to be a messy route, and I don’t like mess’, mused Ms Kittywitch to us the other day. Ms K, who has battled a bewildering variety of medical dangers since before her heart-and-lung transplant at the age of 13, now faces a new diagnosis I can barely remember, and a new drug which might buy her another X years or finish her off with an allergic reaction. She is right, though I would choose not a sunrise on Durdle Door (or indeed chucking myself off it), but a rainy late afternoon on Chesil Beach, the ‘melancholy, long withdrawing roar’ of the Lyme Bay seas on the shingle. I can’t see how that could be managed, though, and might have to settle for Dorothy Parker’s more realistic option: ‘O let it be a night of lyric rain/And singing breezes when my bell is tolled’.

Most of us will be ushered from this earthly existence as part of a medical drama. On Thursday night I was called to the hospital to see Edgar: Jackie, his wife, apologised for calling me on my day off once she realised that’s what it was, but I’ve learned that you mustn’t delay these things if you can help it, and had we left it to Friday morning Edgar would have been unresponsive. It was hard to understand him, beyond the single word 'Amen'. His operation months ago to correct an essential tremor was successful but his enjoyment of it never materialised as his recuperation was interrupted by a fall and broken ankle, pneumonia and finally a fatal infection. That’s how it goes. Not for most of us the singing breezes or the crashing waves, but the quiet of a ward side room and the hiss of an oxygen mask, and as much faith as, with God’s grace, we can muster.

Saturday, 22 October 2022

A Matter That Concerns Us All

This was the title of a video we used to play at the museum in Wycombe: it was about 1935, and the Mayor was appealing for money to buy a new ambulance for the (privately-funded) hospital. It wasn't one of the most riveting visual experiences we had to offer visitors. 

On Thursday this week I was pursuing my church-visiting mission, sitting outside Ockham church with a sandwich for lunch and with the radio turned on, listening to the resignation statement of the Prime Minister. To my surprise, I found my eyes stinging with tears. This was certainly not for her, much as I might sympathise with anyone who finds themselves humiliated so publicly: it was more for shame at the disgrace and degradation of our public life, not just over recent weeks, but for quite some while. I also realised it was also coloured by fear at what might come next. The people in my parish, the people who we are thinking about helping with an after-school meals project or the visitors to the food bank, desperately need stability and good order, desperately need the generous condescension of the financial markets. Will another Tory leadership contest really provide it?

Although I try to keep this blog moderately anonymous, given that you realise Swanvale Halt is not a long way from Guildford it is probably no surprise that the MP for Southwest Surrey, the Rt Hon Jeremy Hunt, is our local elected representative. Politically I know he will be up against the wall when the Revolution comes, but I rather warm to him on a personal level. I last met him in the parish when he was out with a volunteer litter-picking campaign: ‘you’re well out of it’, I failed to say to him, and little did I, or presumably he, know that in just a couple of weeks’ time he would be picking up other people’s trash in a far more globally-significant way.

What can we, the citizenry, do as the Conservative Party decides who to impose on us as, in some sense, our common representative? Notwithstanding their constitutional right to do so, it feels invidious that we must sit passively and watch while our fate is decided. If we have a Conservative MP I think we are probably entitled and maybe morally required to say something, especially if, as Mr Johnson’s backers are to be believed, their inboxes are full of emails saying ‘Bring Back Boris!’. So in the end, after faffing about like usual, I did get in touch with Mr Hunt, and tell him I thought his colleagues ought to have especial regard to the qualities the country might need in its new PM, and to the fact that the Conservative Party membership might feel differently. I popped a message on the church’s LiberFaciorum page encouraging them to contact him, too, not that I would ever dare to tell them what to say. It’s part of the church’s ‘community-building’ brief, including truth, discourse, and common responsibility for our future. 

I also took the opportunity to suggest to our new Chancellor that he might like to respond to a few questions for the parish newspaper, after the Halloween financial statement. If he still is Chancellor by then, that is.

PS. Well, how that's turned out is something of a relief. For the moment.

Thursday, 20 October 2022

Oleum Infirmorum

It must have been a copy of the parish magazine from the 1950s that recently came my way in which I learned that my illustrious predecessor-but-four Canon Artington had intended to start a healing service, which seemed a rather unusual thing for the time, and even more for a solemn graduate of King’s College London and St Stephen’s House. Without access to the service registers from then I don’t know whether anything came of it. Anyway, I had Canon Artington in mind on Tuesday when we had a contemporary go at the same kind of thing. It struck me months ago that there was an Autumn gap in the calendar of Churches Together in Hornington & District between the August open-air service and the Christmas excitements, and St Luke’s Day on October 18th caught my eye. He is the patron saint of physicians. None of the local churches does anything explicitly connected to the healing ministry; as a healing service isn’t necessarily eucharistic, it ought to be something all our local congregations could subscribe to. Of course having come up with the idea I had created a rod for my own back in planning it, but in the event everyone I asked to take on a task said yes. It was quiet, reflective and candle-heavy, with piano music and a modest schola singing the Ubi Caritas, laying-on-of-hands and anointing in the proper manner, and a team from Tophill to provide individual prayer if people wanted it – in fact that caused the only slip in the liturgy as they were still praying with some people as the main action reached a pause, with no sign that they were coming to a halt: even in a ‘quiet and reflective’ event, if you are sitting doing nothing when you know that there’s something left that you will be doing, there’s a point when expectation shifts uncomfortably into tension. I found myself approaching the service with more trepidation than I expected, and not for fear that it might go wrong or nobody turn up, but that I was deeply unworthy to be saying the words I would have to. I kept a semi-fast through the day (fluids and bread only), and felt more acutely than usual having to recall that these are the declarations and actions of Christ, not me. As well as being candle-heavy, the service was also clergy-heavy, but their feedback afterwards was especially appreciative. Perhaps clergy have an unusual need for the healing grace of the Spirit.

Tuesday, 18 October 2022

Peace Be With You All

Returning to work after a fortnight’s break in the Autumn is always a bit of a rude awakening for me: no matter how much activity I may have packed into those two weeks, they very soon recede into the mists of memory. The last out-of-the-ordinary event of my holiday was attending a Goth night at Aces and Eights in Tufnell Park: I was glad I did, but the transport system has now made it very hard for me to manage nights out like this, as the last train for Swanvale Halt leaves London well before midnight. On Saturday I parked in Kingston and caught the train there, and even the Kingston trains ran no later than 0.42 unless I’d wanted to catch the one an hour after that culminated in a bus journey from Surbiton. I managed to make it to an 8am mass the next day, but the church I first tried was shut leading to a mad rush to the Cathedral. I’m not sure which edition of the Prayer Book the celebrant was using, but their prayer that the Lord might ‘so rule and govern the heart of thy chosen servant George our Queen’ suggests they’d been up late as well.

So Monday morning began with Bible reading. While I was away various things had gone slightly awry, people not being where others expected them to be, and allegations of unhelpfulness by some parties against others, and I wasn’t looking forward to dealing with them (I shouldn’t have looked at the emails in advance). My eye was drawn to Christ’s instructions to the disciples in Luke 10, ‘First say, Peace be to this house’, and that seemed like a clear instruction if ever there was one. We mustn’t allow a high value placed on the Peace of God to obscure real problems in a Church community, but it does no harm for it to be the first word the pastor says to it. It reminded me what I am here to do, and I thank God for that.

Sunday, 16 October 2022

Still in the Past, But Looking Forward

My museum visiting this holiday hasn't stopped just because I left Cumbria: this last week I've made my way to a few more places I've either never seen, or wanted to revisit. The Carrawburgh Mithraeum up near Hadrian's Wall is a strange place to find in the middle of nowhere; it has a larger equivalent in London, now beneath the premises of finance house Bloomberg on Walbrook, and thanks to their largesse costs nothing to visit. You are pointed in front of a wall of artefacts, then go downstairs into a darkened chamber to learn more about Mithraism, and finally are ushered down yet again to the Temple itself - rather more expansive than the Carrawburgh one, this is enlivened with an 'immersive experience' of sound and light, Latin chanting and quite subtle visual effects doing just enough to conjure a sense of being somewhere you really shouldn't be.


This Thursday I was in Cambridge visiting Dr Bones and spent a couple of hours at the Fitzwilliam Museum: it could have been longer, but two hours in a single museum is enough for anyone. The Palladian Hall is, perhaps, the most lavish introduction to any museum anywhere; there were plenty of tourists like me, but also a remarkable number of young people sat drawing in front of archaeological fragments. 


Finally, I last saw inside the Museum of London while I was on my Museum Studies course, so that was a good thirty years ago, and my visit was a bit of a last-minute decision not to drag myself across the capital last Tuesday. It turned out to be the right one, because the other option, the Wallace Collection, isn't going anywhere, while the MofL is going to close in December pending its move from the Barbican, where it's been since 1975, to a new site at West Smithfield occupying the cavernous ex-market buildings there. There was much to delight in, though I found the reconstructed debtor's cell from Wellclose Square Prison terrifying.

Telling the story of a sprawling capital city from the time before it was a city throughout its incarnations towards becoming global and multivocal, with no one coherent story of any kind, is a daunting prospect: the existing MofL does it so cohesively and concisely that were I a member of staff I wouldn't be sure whether I should be excited or terrified by the idea of uprooting the whole place and doing it all again somewhere else. I wonder if the mocked-up Lyons Corner House complete with back-projected 'nippy' will make it through (she even appears on Wikipedia). 




Friday, 14 October 2022

Cumbria 5: Museums

History needs to be interpreted and that, of course, is what museums do! Both Newcastle Black Gate and Hexham Old Gaol describe their displays as ‘museums’, but they’re the kind of museums that have more mannequins than objects. In complete contrast is the mighty Tullie House in Carlisle. When I was doing Museum Studies at Leicester in 1991, Tullie House was the model we were all supposed to look to. It had just had a massive extension and redevelopment to give it displays worthy of the 21st century: but it was also charging what seemed then to be an eye-watering admission fee to try to recoup some of the cost. If my party had consisted of more than me, my eyes  might have watered a bit on my visit too, but if you’re local you can get a discount, and no one can deny that it’s very good. Even a temporary exhibition about ‘Hair’ which didn’t inspire me very much turned out to be interesting (and included a photo of Goth model and DJ Parma Ham with their unfeasible mohican).





Penrith Museum is volunteer-run and tiny, though Tullie House have given them a hand with the displays. There is more about sport and geology than any other subjects, an unusual combination.

My biggest museological delight came very unexpectedly, in my visit to Chesters Roman Fort. James Clayton, who inherited Chesters in 1832, spent fifty years excavating the remains, and by his death in 1890 owned twenty miles of Hadrian’s Wall and five of its forts. The Clayton Collection Museum was opened in 1895 to display the portable results. There is some modern interpretation, but what makes the Museum so exciting is that so much of it remains a Victorian wunderkammer: lines of altars and broken statues, shelves of millstones, dark wood cabinets and red-painted walls. For this to work you have to have powerful objects in the first place, but here you have.


Wednesday, 12 October 2022

Cumbria 4: Wells and Follies

Bellingham is the last town along its road before the Scottish border, and here you find one of England’s better-known holy springs, St Cuthbert’s Well, gushing out of a fountain of rough stone in a lane down from the church: for some reason I pictured it as being in the middle of a field, but that was because I wasn’t paying attention. It’s also no more than three feet high! 

Many people make it to ‘Cuddy Well’, but fewer pick their way along the lane beside the road at Brisco just south of Carlisle to find St Ninian’s Well beneath its Norman-style arch. This is the work of the idiosyncratic architect Sarah Losh: there is no record of it before she constructed what we see today, probably in the 1840s, so we’re not sure whether she invented it.

Meanwhile, next to the church Sarah Losh built in her estate village of Wreay, there seems to be another well, now dry. There are rails around it, steps down to it, and a gargoyle’s head at the bottom which must have been a water-spout. Jenny Uglow points out in her book about Losh’s work, The Pinecone, that the well seems to act as a drain for several sources of water in the vicinity of the church. Is this a holy well Miss Losh wanted, next to her own church with its strange and not-all-that-Christian symbolism? Nobody is sure what she meant by the image of the downward-pointing arrow.

While on my way to Bellingham I spotted another well on the map, with what looked like a fairly easy path to it, so I went to check. Lady Well at Nunwick, which is probably referred to (under Simonburn) in RC Hope’s Holy Wells of England, turned out to be a tiny moss-covered stone arch over a very active spring. I can’t recall ever seeing any images of this site though one neopagan artist seems to have been there!

Finally in the grounds of Lowther Castle we find Peg Hook Well. At least we do if we look hard, even with the aid of a map! It’s a stone structure covering a brick tunnel a few feet long, full of water. The current head gardener of Lowther writes that it’s really an ice house, but the old OS map – which names it as Peg Huck Well rather than Hook – shows an ice house some distance away, and it sits at the head of a pond, so I think it may be the real article.

Headley & Meulenkamp include Sarah Losh’s Brisco well as a folly, and I came across some others too. One of them is The Count’s House in Durham, a tiny classical temple down by the River Wear and which was built by the Dean & Chapter of the Cathedral in the grounds of a cottage where ‘Count’ Joseph Boruwlaski, the ‘Polish dwarf’, lived in the late 17- and early 1800s. H & M include the Count’s House, but not a classical seat decorated on its rear with grotesque stone faces, close by; this is ‘Cathedra’, an artwork created by sculptor Colin Whitbourn during a residency at the Cathedral in the late 1980s.


Now, coming across a folly which isn’t in Headley & Meulenkamp is the greatest thrill a folly enthusiast can enjoy; coming across four – well, I was almost overwhelmed. The great authors can be forgiven for not listing Durham’s Cathedra, given its recent origin, and the same applies to the castellated garden building I spotted by the path leading to Lady Well at Nunwick, as that bears the date 1987 on a stone. But Greenholme Lodge sits right by the A69 on the way into Carlisle. It seems to have been a gateway to Edmond Castle; because Robert Smirke designed that building, Historic England assumes he was responsible for the lodge too, but if so he must have had an off-day. It’s just a red stone Gothic façade whacked onto the front of an ordinary cottage. 


A more serious omission is Lacy’s Caves, although admittedly I only discovered it while trying to find directions to Long Meg & Her Daughters. A sequence of five chambers with arched doorways and windows sits above the River Eden, hollowed out of the sandstone, like a rough hermitage for a rough hermit. The nutcase responsible is supposed to be Colonel Samuel Lacy of Salkeld Hall (owner 1790-1836), who entertained his guests there, although it would have been a bit of a jaunt if so. Nowadays there is a path to the Caves along the line of the tramway that once serviced the Long Meg Gypsum Mine: you can still see sleepers and couplings, chutes and steps, and, up a steep bank in the woods, graffiti-adorned mine buildings.


I’m not the only person to have noticed another feature of that path, but nearly: it’s a brick artwork laid into the ground, showing features of the River Eden between Langwathby and Culgaith, made by local schoolchildren. You are lucky if you can find it: a few more years and it may have disappeared entirely. Can you spot the 'Hermit' - looking a bit like a spaceman, to me?

Cumbria 3: Castles and Ruins

Like South Wales, the Borderlands of Scotland and England were violent and debated, so there’s a good supply of castles and similar fortifications, although I went in virtually none of them. Durham Castle is part of the University so you have to book a tour, and at Carlisle I was wincing from being overcharged for postcards at Tullie House Museum (already an expensive enough visit) so I kept outside that one too; while Clifton Hall, incongruously sited next to a working farmyard, was shut. Penrith Castle is a shell; I glimpsed the private Naworth Castle and Langley Castle (the latter rebuilt in the 19th century) from the roadside.






Hexham’s Old Gaol is like a little castle, but in fact is a purpose-built judicial prison built by the Archbishops of York. The Old Keep at Newcastle is a proper fortification, linked to its Black Gate by a walkway, so that was the closest to an ordinary castle visit I got.


The mighty Lowther Castle just south of Penrith is a different matter. This is a largely ruinous neo-Gothic mansion from the early 1800s, once the seat of the Lowther Earls of Lonsdale. The First Earl, ‘Wicked Jimmy’, was so notoriously miserly that when his heir took over the estate in 1802 he advertised for anyone who believed they’d been cheated or owed money by the Earl to make a claim. Hugh, the 6th Earl, inherited his family’s colossal wealth derived from coal and land and managed to get rid of most of it thanks to extravagances such as spending £3000 per annum on cigars, insisting that his dogs travel first-class in their own rail carriage, and taking a 24-piece orchestra with him on trips. Three years after Hugh’s death in 1944, his brother and heir Lancelot sold off the contents of the massive Castle, though it was another ten before the 8th Earl, James, despairing of finding any other use for the wreck, took its roof off, and transformed it into what amounts to a colossal garden ornament, which is what it now is. You can walk through what were once enormous halls and reception rooms and gulp as you realise quite how much money the Lowthers must have had to construct this fantasy building.


Lanercost Priory was the only ruined abbey I could easily get to.

Cumbria and Northumberland have an older stratum of ruin, of course: fragmentary but still charismatic, Hadrian’s Wall runs across the neck of Britain, punctuated by Roman forts and waystations. I went to Chesters, where local landowner James Clayton excavated the huge fortress after realising the importance of the walls his workers kept turning up just beneath the soil. The remains are now a strange intrusion in the gentle, sloping fields west of the North Tyne River. The soldiers stationed here were a largely Spanish cavalry regiment: five hundred men and as many horses, a bath house, a multi-storey headquarters building, gate towers and a commandant’s house. What must the Britons have made of it? A couple of miles further along the Wall is Carrawburgh – Brocolitia – with its Mithraeum. I was startled by its small scale: its aisles can only have accommodated eight people at once, watching as a new member was brought in to be initiated into the cult of Mithras. This is an even odder thing to find in the Northumbrian fields than a cavalry fort, a dark, secretive religious building, overlooked by sheep.


Finally, even before the Romans arrived, there was Long Meg and Her Daughters: the third-largest stone circle in England, and fully as odd as any of the Roman remains. There’s a farm close to the circle, and comfortable trees, but the stone ring itself seems resolutely undomesticated. This has a lot to do with Long Meg herself, a tall, narrow monolith of red sandstone standing outside the circle of dumpy grey limestone blocks. She is so clearly separate and different that you can’t help ascribing personality to her, and an eerie one at that. The story goes that Colonel Lacy of The Caves (who we will discuss later) tried to have the stones blown up with gunpowder so the field could be usefully ploughed, but after sudden and inexplicable thunderstorms while the explosives were being laid, the locals refused to co-operate. And so the circle stands.

Monday, 10 October 2022

Cumbria 2: Three Cathedrals and an Abbey

This holiday was a chance to bag three northern cathedrals I’d never seen before – Durham, Newcastle, and Carlisle. Durham, seat of the Prince-Bishops, is of course the grandest of the three and of almost anywhere, virtually spanning the whole of the hilltop on which it sits. The sheer mass and weight of the Norman arches may be what gives it its atmosphere of intensity; I can’t recall seeing so many people praying in a cathedral before, a verger lighting a candle and another praying the collect for St Cuthbert at his shrine.


Newcastle is a bumped-up parish church cathedral, so it’s much smaller in scale, with a lot of intimate details (I especially like the memorial brass to Bishop Wilberforce in his distinctive headgear). They put out no more seating than needed for services, meaning there’s a lot of exhilarating space.


Carlisle is a bit of a shock when you walk in: half the nave was dismantled in the Civil War and the remainder now forms a regimental chapel, so when you enter through the transept door you find a westward-facing altar to your left and the organ and choir screen to the right, which feels completely incorrect. It was even more of a surprise when I arrived, just after a service for the county’s legal establishment, complete with bewigged judges, ended, and someone turned the lights off: the degree of gloom took me aback. The choir is the main space, with a sumptuous, elaborate altar designed by Charles Nicholson.


The cathedrals supplied me with my images of St Catherine this time, in the form of a (?) Kempe window at Newcastle and the 14th-century embroidered orphreys of a cope in the treasury at Carlisle.


I entered Hexham Abbey in pouring rain and emerged into the sunshine. The nave of Hexham is Victorian but the eastern portion is old, including a stone screen with some very weird carvings. My favourites were the fox preaching to the geese, and the figure with four faces including a death's-head and a demon. An entirely different experience awaits beneath the nave floor: the crypt St Wilfrid built in the 600s out of salvaged Roman stone to house relics, we believe, brought back from his continental sojourn. Pilgrims would have made their way through a passageway in and out, pitch-dark as far as anyone can tell, pausing in a central chamber in the presence of whatever it was that was installed there, lit by four flickering oil cressets. The passages can only accommodate one person at a time: it’s almost traumatically intense.