
Only the occupants of one of the houses seem to have taken the name to heart, and have a gargoyle on the wall and a pentangle in an upper window. Of course I will have to call, and enquire after their spiritual welfare.
"Gothic Isn't Just the Spiky Bits on Churches"







And here is how the vestments appear now. I took off the needlepoint, and the horrible old lace protectors along the stole and maniple, and added a cream brocade to the orphreys topped with a Chi-Rho cartouche motif in the middle of the back. I rather wish I'd gone for a dark green (which was the second choice) instead of the cream, and when there's time I'll certainly replace the gold crosses I added to the stole and maniple. But it's very acceptable for the time being.
This Melpomene has some Classical flavour but transforms it into something haunting and strange:
Timothy Lantz's image, one of a series on the Nine Muses, turns the personification of Tragedy into an image not only of drama but of decay, doom and sensuality.
But what I found most interesting was the modern artists who seem instinctively to think of Melpomene as a Goth girl. I wonder why ...