Extra Solemn

The annual task of veiling the church for Passiontide is something I normally look forward to as a sign that Lent is mostly past, even if the taxing time of Holy Week is yet to come. I especially like putting the panels that show the Instruments of the Passion onto the reredos, covering the mosaics that are usually visible; I don't know any other church that has anything quite the same, and ours are homemade, designed to slip beneath the canopies of the arches.

But without someone to assist me and foot the ladder, veiling two large paintings and one wall-mounted mosaic panel presents a disagreeable prospect to someone who gets vertiginous even standing on a chair to change a light bulb. So last Saturday I moved very carefully, shifting the ladder laboriously and sensibly (or what I thought was sensibly) and not overreaching. 

I realised I'd missed a Pollyday and hadn't listened to Let England Shake on its anniversary, February 14th, as I should, so did the veiling to the accompaniment of the maestra on headphones. Shimmering music of war and death, and the terrible destructiveness of human folly, alongside this act of preparation for the symbolic violence of the Passion. Neither alone has ever felt quite the same before.