It must have been forty years since I went to Arundel Castle. The town, a port once but whose economy is now based around antique shops, cafés, and the Castle, I've been to reasonably recently, but the Castle requires a deliberate visit, not least because you have to gather yourself to pay the entrance fee. It was, as one might expect as the seat of one of the country's premier noble families, overwhelmingly grand, though I was struck that there was no section looking at the below-stairs life of the Castle, how it functioned as an economic and social machine, such as you now get at virtually every National Trust or English Heritage site now. At one stage the visitor route (which you need as the place is bewilderingly enormous) does take you along a service passage, identified by its featureless walls and green paint, but the servants are notable by their absence.
Equally striking is the Walled Garden. I couldn't have seen this on my last trip as it was only designed in 2008. It won an award last year and I can understand why: organised around a series of pastiche Jacobean garden buildings, in timber rather than stone, it's a delightful arrangement of capriccione that amuses and impresses though I'm not sure why the designers picked the Shakespearean theme: the Palace of Oberon houses a water-jet emerging from a rockpile and supporting a golden crown, the water toppling over a grotto beneath.
I could well have seen the Fitzalan Chapel when I was last at the Castle (I viewed it from St Nicholas's Church in 2016, but that doesn't count), but wouldn't have remembered any of it. As well as being present in the east window of the Chapel, as I posted here in 2016, St Catherine also appears in the stained glass of the Castle Chapel too (as below), but round the corner in the mausoleum-chapel of the 14th Duke and his wife is an entirely unexpected image - a statue, showing the saint with sword and book, standing on her wheel. It seems that the Duke may have had a particular devotion to her as the inscription on his tomb certainly includes the words Sanctae Catharina Virginis et Martyris, but in the semi-dark I couldn't make out all of the cramped and abbreviated Gothic script. I cannot find anything written to explain this. I left the saint a note: it is, after all, nearly a shrine.










