Everyone knows how William Beckford built with slave-plantation
cash the mighty, impossible Fonthill Abbey, whose central tower collapsed,
before decamping to Bath and constructing the more feasible Beckford’s Tower
where friends of mine have stayed, courtesy of the Landmark Trust. But the
Fonthill Estate also contains follies, in addition to the insane folly of the
Abbey itself. You know when you’re entering what was the Fonthill Estate – the modern
version comprises only the eastern half of the land Beckford would have been
familiar with – because of the monumental gateway with its hideous faces which was
built not by Beckford, but his father (also, helpfully, William Beckford). Beckford
pere also created the lake which his son enlarged, and it was around the
lake that the follies were grouped. The most accessible now is a ruinous cromlech-like
structure on a steep slope, quite rightly fenced off as it looks as though a good
gust of wind would bring it down: this is sometimes described as ‘The Hermitage’,
but I think that’s more likely to be the towering stone structure in the wood
just below the cromlech, with a little arched doorway and two small windows.
That building is separate from the Tunnel, which runs beneath the road that follows
the west side of the lake: that you can only glimpse through two roughly circular
apertures and a largely filled-in doorway, though according to Historic England
it has ‘three arched openings leading to a domed chamber and then to a curving
tunnel’. Probably the best site, the main grotto on the east side of the lake,
is on private estate land and inaccessible, though a LiberFaciorum page
has some photos of a structure with fake stalactites which may be it, unless
that’s yet another unmarked folly on the public side which I missed. Headley
& Meulenkamp don’t cover the Fonthill Lake follies at all, only mentioning a
grotto in passing when they discuss Old Wardour and the grotto there; I got the
reference from Dave Hamilton’s recent Weird Guide and he rather implies
he followed the private path on the east of the lake to find the big grotto, which
I balked at doing having seen two vans resplendent with the Fonthill Estate
logo either driving about or parked up. An angler I asked insisted you could
see the private grotto from the western side just by the boathouse, but that’s
the Landing Stage constructed by William Beckford Senior, complete with four
huge stone ‘urns’ (except that they don’t contain anything).
Does Fonthill count as a Gothic Garden? I’m inclined to say No. It has some of the elements we see in places that do, especially the arrangement of features around a lake or river, and Beckford was familiar with such sites – Hackfall drove him almost to distraction with imaginative excitement – but there’s nothing here that tends to the sublime, nothing intended to excite terror or induce gloom. Maybe if we had a clearer idea of how the structures we can see now were intended to work as an ensemble we might take a different view.





