When posting about St Christopher’s Hinchley Wood a couple of weeks ago, I
realised to my mortification that I had neglected to give an account of a
similar kind of building in the same part of the county, All Saints’ Weston
Green, which I in fact visited in the autumn of 2019! Weston Green church is a
little earlier than Hinchley Wood, having been dedicated in 1939, and had a
rather more distinguished designer, Sir Edward Maufe, whose works would also
include, of course, Guildford Cathedral itself. But the building has many of the
same features – a monumental simplicity, plain round arches, sedilia reduced to
a basic outline, and the twin ambos either side of the chancel. Old photos show
that originally the arrangements included a curtained English altar (as the
temporary mission church which preceded it had – though not the same one, as
that was smaller); but there was never provision for a choir, interestingly.
The Lady Chapel has an integral aumbry and a piscina built into the windowsill,
while the altar rails are very typically Maufe, almost exactly the same as the ones in the Cathedral, as is the piscina by the high altar. All Saints’ – and Hinchley
Wood, and other churches such as SS Mary & George’s in Sands where I used
to worship – fall into a distinct architectural and liturgical category that
typified modern churches at that time, between the tail-end of Gothic and later
experiments.
Tuesday, 30 August 2022
All Saints', Weston Green
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In many ways a textbook Parson's Handbook interior and that style would have been more obvious when the English altar was still there. I especially like the stepped sedilia in which the priest should have sat in the top seat. Whether s/he would have been joined by deacon and subdeacon is debatable!
ReplyDeleteQuite! Thank you, John.
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