In fact all the Easter services went rather well apart from a confusion about hymn numbers on Sunday ('I feel like a bingo caller', said Il Rettore as he tried to read out the correct one), but having also had to pop to the hospital to take communion to a congregation member on Easter afternoon as all the chaplains were off sick I was very glad to observe 'Bank Holiday Order' on Monday and only do the work I absolutely had to. This was complete early enough in the day to allow me to take advantage of the weather and zoom to Uffington. Algorithms had thoughtfully brought to my attention a new display at the museum there and as I'd never seen either Wayland's Smithy or the White Horse of Uffington I decided to go.
Apart from the distance I ended up walking (further than anticipated) things being on the small side was the theme of the day. The Neolithic long barrow of Wayland's Smithy has two massive sarsens guarding its entrance but the proof that it was made by fairies is that only the Wee Folk could have fitted inside the burial chamber. I'd thought it was like the West Kennet Long Barrow which has space for visitors to wander around inside but no, it's only tall enough for an adult to crouch in. At the foot of a tree I found what were clearly 'cremated remains', reinforcing how important the place is for some people.
The Horse, too, I had imagined ranging over perhaps a hundred yards of a broad hillside, and P Newman in Lost Gods of Albion says that's how long it is, but I wouldn't have put it much bigger than 50 feet! Curiously that made the figure all the more moving to me - to think firstly that our remote ancestors made this effigy that they wouldn't even have been able to see properly, and also that it has survived three thousand years or more, just a fragile, delicate thing, an absence more than a presence, turf removed to reveal the chalk beneath.
I did know that Uffington Museum was going to be tiny. It started out as a 17th-century schoolroom, and Bank Holidays are one of the few times it's open. There is basically one room, with a mezzanine forming a separate display area; that 'exhibition' that tempted me there was a small display about mythological landscapes, and I was very pleased with it. Very good graphics and information, a video with an Anglo-Saxon poem being recited against a background of spooky trees, and items left by visitors at Wayland's Smithy, from dreamcatchers to decorated stones. Easily the eeriest is a white-painted plaster ram's head deposited in the chamber itself. Most odd. I'm glad I wasn't the one who found it.

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