Nouveau, Arabesque, Gothic

Time ticks on and the next Goth Walk approaches fast: on Thursday I traced the route, discovering that we would be going past the houses of both Noel Coward and Bram Stoker: now what a double-act that would have been. We will (all being well) finish at 5 Mulberry Walk in Chelsea, the one-time home of Ruth Baldwin. Socialite and prodigious drug-taker, Ruth was the girlfriend of heiress and motorboat racer Marion 'Joe' Carstairs, and died from an overdose in the flat of Oscar Wilde's neice Dolly in 1937. I didn't realise the house would look like this: built in 1913 for a Danish aristocrat and stained-glass designer, it's a startling block of Art Nouveau sensibility in a Bohemian portion of London. It's not the only example in the streets nearby, either.

I had enough time to return, after an initial visit twenty years ago, to Leighton House in Kensington, reacquainting myself with its startling neo-Moorish decor. Frederic Lord Leighton's actual art was superb and empty, its classical dullness enough to make me forgive Watts who at least put some soul in his soporific allegories; but his house is another matter, a tiled jewel. Nobody at all mentions the great green-painted iron girders and pillars to its rear, which are just as striking in their own way. 

On the Tube back home I found myself sitting next to a gent who was flicking through what I later discovered was ES, the Evening Standard magazine. He wasn't interested in an interview with Marina Abramovic, and eventually settled on a piece about holidays in Greece, but not before passing a series of photos of young people in what seemed like Gothic outfits. What was it? The paper exhausted the fellow's interest and he stuck it behind him, but although I tried to attract his attention before I left the train to see if I could have it, he was embroiled in Candy Crush and big headphones and so I abandoned the attempt. It was only through a friend that I found out the ES was profiling Slimelight, the veteran Goth club in Islington, and the whole article is on Slimelight's Instagram. It's gratifying to have such favourable coverage, though it does rather give the impression that Goth fashion has been taken over by a fetish aesthetic which, though it does seem quite prominent at the moment (rather like Steampunk was a few years ago and Cyber a few before that), isn't completely hegemonic.